CONTACT
Other Non-Calligraphic Work
  • Projects
  • Wild Swans at Coole
  • Five Manuscripts Merged
  • Poem by Lorenzo de' Medici
  • Book: The Raven, Edgar Allan Poe 1809-1849
  • Words of Love: Private Commission
  • Beowulf Excerpt
  • Book: Thirteen Ways of Looking at a Blackbird
  • Book: Keats' La Belle Dame Sans Merci
  • Book: Coleridge's Ancient Mariner
  • Chaucer (c1343-1400), Canterbury Tales
  • Poem in the style of Li Po 701-762AD
  • Homage to Music
  • Brideshead Revisited-Evelyn Waugh 1903-1966
  • Poem in Elvish-Two Versions
  • When I Have Fears- John Keats 1795-1821
  • Aeneid Fragment by Virgil circa 70-19BC
  • Viking/Norse Design-Private Commission
  • Poem of Omar Khayyam 1048-1131
  • Homage to Leonardo da Vinci 1452-1519
  • Ode to a Nightingale by John Keats 1795-1821
  • Kubla Khan by Samuel Taylor Coleridge 1772-1834
  • To His Coy Mistress by Andrew Marvell 1621-1678
Tannia May: Calligraphy Illumination & Painting
CONTACT
Other Non-Calligraphic Work
  • Projects
  • Wild Swans at Coole
  • Five Manuscripts Merged
  • Poem by Lorenzo de' Medici
  • Book: The Raven, Edgar Allan Poe 1809-1849
  • Words of Love: Private Commission
  • Beowulf Excerpt
  • Book: Thirteen Ways of Looking at a Blackbird
  • Book: Keats' La Belle Dame Sans Merci
  • Book: Coleridge's Ancient Mariner
  • Chaucer (c1343-1400), Canterbury Tales
  • Poem in the style of Li Po 701-762AD
  • Homage to Music
  • Brideshead Revisited-Evelyn Waugh 1903-1966
  • Poem in Elvish-Two Versions
  • When I Have Fears- John Keats 1795-1821
  • Aeneid Fragment by Virgil circa 70-19BC
  • Viking/Norse Design-Private Commission
  • Poem of Omar Khayyam 1048-1131
  • Homage to Leonardo da Vinci 1452-1519
  • Ode to a Nightingale by John Keats 1795-1821
  • Kubla Khan by Samuel Taylor Coleridge 1772-1834
  • To His Coy Mistress by Andrew Marvell 1621-1678

Poem in Elvish-Two Versions

A poem in Elvish written by J R R Tolkien. The "language" suggested things Celtic to me, hence the choice of design elements.

The version above is in the original colours. For the version below, I simply added a Photoshop gradient and had the program change "the relationship" between the two layers.
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